The logistical issues we face with getting somebody else to score the film are these;
- We haven't even decided our animation workflow yet! We probably won't end up with a standard animatic to give him, as the film is going to be structured by 'themes' rather than scenes and won't necessarily have a traditional arc.
- We will probably end up doing quite an intense back-and-forth workflow with the composer as we might end up animating to the sound just as much as they compose to the video....
- We want to feel that the person doing our sound is familiar with the ideas and concepts in the book, but we obviously can't force anyone to read the original text.
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